Following the release of his debut album Stretchin’ Out in Bootsy’s Rubber Band in 1976, former James Brown and Parliament-Funkadelic bassist-vocalist William “Bootsy” Collins stepped into the spotlight and never looked back, funking his way into popular music history. Known for his monster bass lines and comic vocals, Collins is one of the pioneers of funk. In honor of the 50th anniversary of Stretchin’ Out in Bootsy’s Rubber Band, the National Museum of African American Music is hosting an intimate conversation with Collins on April 21, moderated by Marcus K. Dowling and titled Bootsy’s Back — but He Never Left. Originally scheduled for Jan. 29 but postponed because of the winter storm, the conversation will cover Collins’ groundbreaking career, enduring influence and ever-evolving artistry. Interestingly, Collins’ first session with Brown was in Nashville in 1970 at Starday-King Studios on Dickerson Pike, where they recorded the seminal funk track “Get Up (I Feel Like Being a) Sex Machine.” In addition to the moderated conversation, there will also be a one-night-only display of Collins’ iconic stage wear and a curated playlist from DJ Smoke featuring music from across Collins’ career, including new tunes and a post-event reception. To keep the setting intimate, the event will be limited to 200 guests.
6 p.m. April 21 at the National Museum of African American Music
510 Broadway
