If there’s one film that encapsulates the purest form of visual storytelling, Koyaanisqatsi may be it. While its official genre may be documentary, director Godfrey Reggio’s masterwork certainly won’t be like any doc you’ve seen before. Many have called the film a “tone poem,” which does capture some of its mystique, but in truth, it’s a singular experience. What the film chooses to show may seem random at first: shots of American landscapes, sped-up footage of humans commuting through their city, intense close-ups of computer chips. It’s at once beautiful and chaotic thanks to legendary cinematographer Ron Fricke’s eye. Pay close enough attention, however, and the film’s story really opens up. Philip Glass’ iconic score acts almost as narration as it guides you through the film’s movements and climaxes. It’s one of those rare film experiences that somehow captures something bigger than itself. Is it an environmental warning? A lament on human progress? Just a really amazing montage? Find out for yourself on April 6 at the Belcourt, with a special introduction from film poster artist Sam Smith.
8 p.m. at the Belcourt
2102 Belcourt Ave.
