South Gotta Change: ‘Bedtime in Mississippi’

No moments of silence here. Not now

or at midnight or when something alarms

at 3am. Repetitive rumble of AC just outside

the window. The clock’s yakety yak each second.

The loud red of a truck or a car yowling

blue lights. Forever bringing some kind of blues.

 

A constant ghost. Whispered truth, bruised knees

pleading for someone to hear her testify.

Threadbare synapses stitched

into my cortex, a patchwork of questions and

fear. Here, the soil speaks through gritted teeth.

Here, we bite back with our toes clenching

blood mud. Here, the sun pushes us

into the ground and down into dusk.

The katydids shine their song until its return.

 

Enough of this noise, though:

 

I know a South where I was called

OREO from mouths shaped and shaded

like mine. What’s a black girl not black

enough? And I know

a pale-faced, dandelion-haired South

whose mama wants to know why

Katie didn’t say all of who I was before

she invited me to her first boy/girl party.

Whoever will she dance with? she asked.

What’s a girl too

black to do?

 

I know a South where I will never go. Even if

they say the road is yellow-bricked with

good intentions, I know no good intentions ever

clicked their heels three times to save a body like me.

I know a South so stuck always in mythology, it wants

to read me who I am even in the should-be quiet of night.

 

Back to the noise:

 

The radio fuzzing through the wall from another room.

Locusts in conference at the base of the maple.

A pecan strikes the rooftop, and I

no longer jump, only hope it means

a wind strong enough to loosen the tree’s

fist is a wind near enough for relief.

The owl inside my brain asks who, who

who all night long.

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