Sure, vampire tales have been done to death, and F.W. Murnau’s 1922 film Nosferatu: A Symphony of Horror isn’t totally original. It was close enough to Bram Stoker’s Dracula that Stoker’s widow won a copyright infringement lawsuit that resulted in the court-ordered destruction of nearly every print. But the off-kilter way Murnau renders the world — held up as a superlative example of Expressionist cinema, in which the medium is used for inventive portrayals of how things feel rather than trying to capture how they really are — makes the supernatural engrossing and terrifying. By the time Count Orlock’s gruesome shadow makes its iconic creep up the staircase, check your throat: You probably won’t find bite marks, but you might find your heart lodged in it. The original score has mostly been lost, but Peter Krasinski, a renowned organist who specializes in improvising accompaniment to silent films, will be on hand to shake your sternum with help from the Symphony’s Martin Foundation Concert Organ. STEPHEN TRAGESER

