Thursday, December 22, 2011

Tough Times Got You Down? Tell SafetySuit [Oh, the Humility]

Posted by Adam Gold on Thu, Dec 22, 2011 at 8:40 AM

lol Asylum.
  • lol Asylum.
Here’s a joke: Who remembers SafetySuit? (Badumcha!) I’m talking about the Nashville-by-way-of-Oklahoma quartet of aspiring arena rockers who, back in 2008, hoped to reach the heights of superstardom by looking and sounding like Banana Republic personified. (Badumcha!) Well, these musical suits (I call them EnsembleAsylum) are at it again — poising themselves to take a sophomore swing for the top 40 fences with their, ahem, topically titled second LP, These Times.

The album is set for release on UMG's Republic Records — the label fittingly and formerly known as Cheese Factory Records (Badumcha!) — and it drops Jan. 10. Just in time for Christmas. Not! (Badumcha!) Mark your calendars for Jan. 7, local SafetySuit fans. That's when the band is holding a pre-release-date record-release show and giveaway at 12th & Porter. (Badumcha!)

OK, that last bit wasn’t actually a joke, per se, but what is funny is how SafetySuit finds itself fit to voice the concerns of a generation looking for light in the darkness of tough economic times. The band wants to be that light. They also want you to make a video of yourself sheepishly holding up poster boards advertising your problems for the benefit of pushing their next single. But more about that in a moment.

These Times’ title track is an uplifting and sentimental little number that, in an email to the Scene, their publicist describes as “a poignant song about the current state of the nation.”

So, what does SafetySuit have to add to the national debate on staggering unemployment rates, taxation of the working class, the fight for collective bargaining rights in The Rust Belt or the diametrically opposed plights of suppliers on the side of private sector solutions? Well, with tried-and-true modern-rock platitudes, the band opts to weigh in on the emotional struggle endured by the marginalized masses caught in the rhetorical crossfire and/or the private-sector fat cats caught in the evil socialist regime’s Keynesian cross hairs.

Look no further than the chorus of “These Times,” in which lead-singing Suit Doug Brown croons “Sitting alone here in my bed / Waiting for an answer I don’t know that I’ll get / I cannot stand to look in the mirror / I’m failing.”

Failing is right. Poignant pearls of wisdom indeed.

Those words read like they were written using some form of modern-rock, MOR Mad Libs, or maybe just the template used for penning Christian rock lyrics. Though, unlike DC Talk, SafetySuit’s members might care if you label them Jesus freaks. Who knows.

Regardless, the aforementioned sentiment is one about as sage as “Shit’s fucked up and bullshit.” Seriously. The stanza is so broad, reeking of so much bad platitude that it could just as easily apply to coping with losing a pet turtle to eternal hibernation as it is to filing for bankruptcy or fighting the threat of foreclosure.

Nevertheless, Brown elaborates on his lyrics in a press release, saying, “You just get tired of being on the short end of the stick; I think a lot of people feel that way. There’s a lot of people out there who would kill to just have a job so they can provide for their families. It’s a tough time. And it was important to us that the song also has this uplifting line: ‘These times are hard / But they will pass.’ We’ve made it out of bad times before, and we’ll make it out again.”

Ooooooookay. Maybe Brown’s heart is in the right place, but his ego is writing checks his celebrity and his band’s relevance — or rather, the lack thereof — can’t cash. Motherfucker’s talkin’ like he’s Bruce Springsteen and shit. Like he’s important. But, like Johnny 99, SafetySuit — a third-rate Third Eye Blind — has debts no honest band can pay. I mean, come on. SafetySuit is a band that makes Third Eye Blind look like Black Sabbath. And I don’t even mean, like, Tony Martin, Cross Purposes Black Sabbath, or even Dio-era, Heaven and Hell Black Sabbath. But, like, full-on Masters of Reality, Ozzy Black Sabbath. You’re telling me that if hard times have got today’s kids down, that they should fear not because SafetySuit is there for them?! The delusional hubris of such a supposition is ... just, mind-blowing.

Forget for a minute that SafetySuit is the type of band that name-checks 3 Doors Down, Seether and Hoobastank in a press release. Forget that telling me I’m likely to like something that amalgamates such influences is tantamount to mixing up a concoction of sour milk, rotten eggs, onions, fertilizer, roofing tar and skunk spray and assuming I’ll like the way it smells. Forget that suggesting I check out their latest single is like asking me if I’d like to see video evidence documenting the moment of my own conception. I don’t need to see it or hear it to know that, subjectively speaking, it’s fucking gross and revolting. But instead remember that SafetySuit — a band many of you are probably hearing about for the first and maybe even last time — could have the sounds, smarts, sentiments and passion of Woody Guthrie jamming with Joe Strummer in Topical Songwriter Heaven and it still wouldn’t qualify them to help young Americans navigate the axis of quarter-life crisis-meets-economic crisis.

Lots of people hate it enough when musicians write explicitly political lyrics. I don't. But I really, REALLY hate it when musicians try to suggest that they’re making some important statement with lyrics that are really as circumstantially interchangeable and hollow as the hole in an emo kid's heart. Seriously, SafetySuit, if you feel so much, then why say so little? I get it. Growing up is hard, the world is scary and it can at times feel like the only trousers that fit are a pair of sad pants. And that after my sad pants hang themselves I should run to the comfort of a SafetySuit. But shit me out some actual, targeted insight or get off the goddamn pot. Because if you don’t, you’re making your faceless faces all the more inviting to proverbial pepper spray from my poison pen. If you're gonna write about tough times, here's an example of what a song that actually says something sounds like:

So the dudes in SafetySuit aren’t just positioning themselves to be the voices of a generation — they are listeners, too. Perhaps in search of the humility they so desperately need, the safety suiters are taking their timely cause to their constituency of fans — crowd-sourcing on-video testimonials to use in the forthcoming music video for “These Times.”

Check it out. That hyperlink takes you to a site the band launched proclaiming and enticing, “WE NEED YOUR HELP, YOU COULD BE IN OUR NEXT MUSIC VIDEO!!” Unfortunately, this is not a casting call, but a petition to fans to, with brevity, share their stories in the forthcoming video for “These Times” — because, as the band tells their fans, “We have always felt so honored that you have been so vulnerable and open in telling us your stories and how the music has been a companion to you through the hard times.”

Hey, kids out there: Please stop going to meet-and-greets and regaling members of your favorite bands with weepy anecdotes of how their music helps you cope with getting grounded, or getting dumped, or getting cancer, or whatever it is you’re telling them. Let them speak to you through their music, and you speak to them by singing along and leave it at that. You’re not helping them make better music or be more tolerable to the rest of us who know they suck and mock you for liking them — you’re further insulating them and expanding the egocentric bubbles of their own inflated senses of self-importance. It makes bands like SafetySuit think they’re worthy of blog posts as long as this one. It’s the worst.

Anyway, the band are asking fans to take a poster board and a “good marker” and on one side write a single sentence explaining something that has made these turbulent, Obama-era times tough for them. Suggested examples include “I lost my job,” “I struggle with my weight,” “My mom is battling cancer,” “No one seems to notice me” and “I have been abused.” Then, on the other side, participants are to write “THEY WILL PASS.”

Once that catharsis is over with, participants are then instructed to take a flip cam or comparable recording device (“The higher quality the better”) and, for 10 seconds at a time, record themselves holding each side of the sign like stoic, stone-faced hobos. In case those instructions are too hard to follow, there is even a demo. Check out how Chico (band member?) does it:

My God, this "These Times" video is gonna look hilariously dated one day. Can't wait. By the looks of it, I’m guessing that SafetySuit is loosely trying to capitalize on the Occupy movement and viral YouTube youth culture, while at the same time nodding at this emo-licious little clip from 2005:

Listen closely, kids: The Internet never forgets. And you don’t want viral documentation of how you were once a SafetySuit fan who got canned from your Hot Topic gig among the cache of Google-able skeletons in your closet. Proceed with caution. Have you seen the video in which the makers of Heavy Metal Parking Lot go and track down the infamous Zebraman after 13 years and find a dead-eyed suburban square who listens to country now? Then allow me to scare you straight.

Before:


Are you a SafetySuit fan? This guy is cooler than you.

... And after:


Are you still a SafetySuit fan? This guy is STILL cooler than you.

As far as SafetySuit is concerned, I know that eviscerating a band that is such a non-entity in the vast spectrum of MOR pop rock seems a little, well, needless and mean — especially considering how ostensibly well-intentioned their plea for poster-board testimonials is. But, via their intermediaries, they're the ones that emailed me looking for love. I mean, get real, if you were SafetySuit, or were plugging SafetySuit, would you email me?

But SafetySuits minions aren't the only ones not paying attention to stuff. I have that problem too. For all I know, the guys in this band are newly minted superstars somewhere and I just haven’t bothered to notice. I mean, shit, Hot Chelle Rae played Madison Square Garden earlier this month and I feel like I just remembered that they exist, like, 10 minutes ago. (BTW, when it comes to backhanded criticism and calling a band out on the artistic-shamelessness-on-sleeve dismissal of musical integrity that is every fiber of their sonic being, this recent All Music Guide review of HCR’s aptly-titled sophomore effort Whatever is an expository masterpiece.)


This band is from Nashville. Condolences.

If it's truly the case that SafetySuit is destined for stardom, then perhaps the band really does need and deserve a no-holds-barred humbling that wouldn't fit on a poster board. Besides, it doesn’t really matter what curmudgeons like me, or what people with taste and/or were born before 1994 have to say about SafetySuit, because they take a hard-line Styx-and-stones approach to warding off criticism. Through loyalty and brotherhood the band members have long managed to shield one another in the warm and fuzzy impenetrable force field that is the bond between them.

As this 2008 Cream post by former Scene music editor Tracy Moore notes, SafetySuit is all about two things: comfort and playing it safe. The post quoted Doug Brown (The singer, remember?) as saying, "I think the key word is 'safety’ … The four of us in the band have been friends forever. We feel comfortable around each other. We're in a safe environment ... and that makes us feel free to be who we are. And, if we can inspire that moment or that feeling in our fans, we've succeeded.” A sentiment that Moore then summed up quite categorically by musing, “Not surprisingly, [SafetySuit] make the sort of radio-friendly beige-rock that only deep intimacy and comfort levels among band members can evoke.”

Indeed. And these suitors of safety are now extending their indomitable sense of identity and comfort to a fan base that they hope is as proactive and savvy with video and editing software as they are fervently suited for the sentiments of safety. Sure, these times will pass, but probably not as quickly as Universal will drop SafetySuit if this painstaking attempt to pander to the young and yearning to be affected fails. Remember, we've made it through bad times before, and we'll make it out again.

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Comments (35)

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This doesn't seem to be a review of SafetySuit's new album "These
Times", it just seems to be an attack on them trying to give encouragement. Why
the negativity? And trying to include their fans in a music video seems like a
good way to get publicity, why is that such a bad thing? Why can't we just
critique their music and not who they are or the message they want to send?

report 16 likes, 1 dislike   
Posted by Joseph Daniel Farella on 12/22/2011 at 11:31 AM

Gold, your onomatopoeic rim shot gives me the willies.

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Posted by Simple Mike on 12/22/2011 at 11:36 AM

I didn't realize it was a bad thing for bands to include fans in their music videos. I also didn't realize it was a bad thing to send a positive message to people who need it.

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Posted by Angel Lang on 12/22/2011 at 11:50 AM

he is not saying its a bad thing to do that, he is saying that SS's attempt is an empty ploy.

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Posted by JAY on 12/22/2011 at 12:10 PM

Post of the year. Bravo, Gold! SafetyShitSandwich

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Posted by ryan on 12/22/2011 at 12:16 PM

I already take offense to this article because These Times, and SafetySuit in general, has helped me through so much, but saying it's an "empty ploy" is ridiculous.

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Posted by Angel Lang on 12/22/2011 at 12:21 PM

If the only thing my ten year old nephew asked for Christmas was the SafetyShart album, he wouldn't be getting anything.

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Posted by ryan on 12/22/2011 at 12:52 PM

It's not this band's fault that you're never going to be anything other than a blogger for a small paper in Nashville. But it's okay - you keep going. I'm sure both of your readers your work.

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Posted by Chevy Heston on 12/22/2011 at 4:54 PM

It's not this band's fault that you're never going to be anything other than a blogger for a small paper in Nashville. But it's okay - you keep going. I'm sure both of your readers enjoy your work.

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Posted by Chevy Heston on 12/22/2011 at 4:55 PM

I don't know why we keep assuming lowest common denominator music should get a free pass because its supposedly for the kids. I have a 12-year-old and she hates crap like this. If you have the balls to call a spade what it is (hat tip to Gold), then this shit won't perpetuate under the auspice of "It's what the tweens like? Play it at the mall!"

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Posted by burrito on 12/22/2011 at 5:01 PM

You know what they say about people that pick on others....

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Posted by Kerri Dwan-Reed on 12/22/2011 at 6:31 PM

Site hits (readership) must be down a little. Sirens, Alarm Bells, Flashing Lights go off in The Cream Headquarters....Deploy the Truth Squad and watch the true fans and indifferent yet sensitive empathetic commenters light this post up. And now the Defenders of the Truth Squad show up and defend the blog post and this battle rages.

I don’t even know what I am doing here. And I still don’t know what I will be doing here when I check this every 15 minutes through my workday. Dammit!!!

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Posted by Nate on 12/23/2011 at 8:34 AM

Shitty, forgettable bands usually help me through shitty times that I want to forget.

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Posted by Shitty Forgettable Pseudonym on 12/23/2011 at 9:22 PM

You should be ashamed of yourself for posting such bull! I agree with freedom of speech but this takes it to a hole other level. Just do your damn job and review the album not the band as people. chances are you haven't even met them. & if you don't like the album then fine you have every right but that doesn't mean degrade the hard work that they put into to it for the people and fans that do. you're doing exactly what you just dissed them for!!! doing your %&*(*$ job!!!

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Posted by safetysuit fan on 12/25/2011 at 6:29 PM

not descriptive enough, huh? I'm sure you'd MUCH rather prefer a song like:

(Yeah, Ah-Ah-Ah-Ah-Ah-Ark)
Oo-ooh-ooh, hoo yeah, yeah
Yeah, yeah
Yeah-ah-ah
Yeah-ah-ah
Yeah-ah-ah
Yeah-ah-ah
Yeah, yeah, yeah

7am, waking up in the morning
Gotta be fresh, gotta go downstairs
Gotta have my bowl, gotta have cereal
Seein' everything, the time is goin'
Tickin' on and on, everybody's rushin'
Gotta get down to the bus stop
Gotta catch my bus, I see my friends (My friends)

Kickin' in the front seat
Sittin' in the back seat
Gotta make my mind up
Which seat can I take?

It's Friday, Friday
Gotta get down on Friday
Everybody's lookin' forward to the weekend, weekend
Friday, Friday
Gettin' down on Friday
Everybody's lookin' forward to the weekend

Party it, party it, (yeah)
Party it, party it (yeah)
Fun, fun, fun, fun
Lookin' forward to the weekend

7:45, we're drivin' on the highway
Cruisin' so fast, I want time to fly
Fun, fun, think about fun
You know what it is
I got this, you got this
My friend is by my right
I got this, you got this
Now you know it

Kickin' in the front seat
Sittin' in the back seat
Gotta make my mind up
Which seat can I take?

It's Friday, Friday
Gotta get down on Friday
Everybody's lookin' forward to the weekend, weekend
Friday, Friday
Gettin' down on Friday
Everybody's lookin' forward to the weekend

Partyin', partyin' (Yeah)
Partyin', partyin' (Yeah)
Fun, fun, fun, fun
Lookin' forward to the weekend

Yesterday was Thursday, Thursday
Today i-is Friday, Friday (Partyin')
We-we-we so excited
We so excited
We gonna have a ball today

Tomorrow is Saturday
And Sunday comes after... wards
I don't want this weekend to end

R-B, Rebecca Black
So chillin' in the front seat (In the front seat)
In the back seat (In the back seat)
I'm drivin', cruisin' (Yeah, yeah)
Fast lanes, switchin' lanes
Wit' a car up on my side (Woo! )
(C'mon) Passin' by is a school bus in front of me
Makes tick tock, tick tock, wanna scream
Check my time, it's Friday, it's a weekend
We gonna have fun, c'mon, c'mon, y'all

It's Friday, Friday
Gotta get down on Friday
Everybody's lookin' forward to the weekend, weekend
Friday, Friday
Gettin' down on Friday
Everybody's lookin' forward to the weekend

Partyin', partyin' (Yeah)
Partyin', partyin' (Yeah)
Fun, fun, fun, fun
Lookin' forward to the weekend

It's Friday, Friday
Gotta get down on Friday
Everybody's lookin' forward to the weekend, weekend
Friday, Friday
Gettin' down on Friday
Everybody's lookin' forward to the weekend

Partyin', partyin' (Yeah)
Partyin', partyin' (Yeah)
Fun, fun, fun, fun
Lookin' forward to the weekend

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Posted by go die on 12/26/2011 at 12:31 AM

Wow, honestly? You're SO immature, you're a freaking heartless dick who knows nothing about emotion and what people need in their lives. People are hurting you asshole. And SOMEONE is TRYING to help them out, and you're just putting them down. Get a life idiot. Go donate a can of soup and it'll probably be the friendliest thing you've ever done.

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Posted by Lucas Gatley on 01/02/2012 at 3:40 AM

wow. that is a review? have you heard SafetySuit live? it probably doesn't matter. i just read your list of top concerts in 2011... so i know you're full of crap. nice rant. no wonder nashville can't break any rock bands. and those that do, like Kings Of Leon or Paramore have to go somewhere else to break. much easier to criticize bands before they have a million followers, eh. take your shots at SafetySuit now... before they get popular and make your "best concert" list.

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Posted by ZoneRanger on 01/03/2012 at 12:03 AM

I'm kind of....speechless? There are songs, bands and albums I despise, but quite frankly I have enough things in my life that actually pay me money and provide some base level of meaning and responsibility that I couldn't imagine typing the amount of self-stroking rubbish this non-journalist just crapped out. DUDE- Did one of the members of Safetysuit sleep with your girlfriend- OR, more accurately, kick your ass at Worlds of Warcraft?? I went to high school w/ guys like you- you sat at your own lunch table with the other dorks plotting the demise of all the popular kids in school... how "one day, we're gonna show them." Dude- do yourself a favor- get on a treadmill, get healthy, and stop being generally pissed at the parts of your life that didn't work out- you're actually good with words- you just use them in a completely self-defeating manner and will never graduate to anything in the world of real music journalism. Pitchfork won't even hire assholes like you.

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Posted by Jon the liberator on 01/03/2012 at 1:52 PM

I've known the SafetySuit guys personally for over 10 years and I can tell you they are genuinely good people who do get a ton of satisfaction out of the fact that their music has been helpful to people going through hard times.

You, on the other hand... What good do you add to the world? Have your reviews ever changed someone's world or saved a life?

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Posted by Nick on 01/03/2012 at 10:07 PM

"It is not the critic who counts: not the man who points out how the strong man stumbles or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly, who errs and comes up short again and again, because there is no effort without error or shortcoming, but who knows the great enthusiasms, the great devotions, who spends himself for a worthy cause; who, at the best, knows, in the end, the triumph of high achievement, and who, at the worst, if he fails, at least he fails while daring greatly, so that his place shall never be with those cold and timid souls who knew neither victory nor defeat."
-Teddy Roosevelt

Adam Gold, you are a clown. Everyone sees your review for what it is, the bitter rant of someone who hates himself most of all. Mostly, I feel sorry for you.

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Posted by Curtis_L on 01/04/2012 at 10:36 AM

I can't believe you guys don't see this "blog post" for what it is. I called it best earlier, it is a troll thinly veiled as a critique, most likely strategically placed by the staff in order to drive a comment thread and increase views and hits.

John the Liberator bit the hardest. He countered with a polemic argument, attacking the high school kid that lives within the authors past. At least some of the commenters have defended the band in question.

Curtis has the nerve quote someone as great as The Roughrider in such an pointless discussion. I have a feeling Teddy Roosevelt wasn't referring to pop musicians or artists when he was thinking up a way to expand upon and paraphrase the metaphor of god spitting the lukewarm out of his mouth.

Dammit and here I am attacking commenters and passive-aggressively attacking the author and the blog itself, biting just as hard as any of you guys. I did predict I would do this though.

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Posted by Nate on 01/04/2012 at 11:10 AM

Nick,
Have you read the speech where that quotation is taken from? I'm going to guess no. Either way, I’m pretty sure Teddy wasn’t trying to paraphrase Revelations 3:15-16. As to whom he was referring to, I will concede that, most likely, he wasn't specifically talking about artists and definitely not "pop musicians"; however, one can't help but see the correlation.

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Posted by Curtis_L on 01/04/2012 at 2:24 PM

Curtis,

No I have not read that speech, nor have I read any of the other 2000+ published works of his. Sort of in the same way you either 1) didn't read my name under my post, or 2) got my name wrong intentionally in an attempt to make me feel unimportant and unremarkable.

Either way, it worked. Damn You Curtis! Not only do I feel like an unremarkable piece of shit but I also have had my interest piqued on this T.R. speech you have quoted.

By the way, do you happen to have the title/date/location of that speech?

Thanks,

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Posted by Nate on 01/04/2012 at 4:21 PM

Nate,
I thought I had read your name...my mistake and I'm sorry about that.

The quotation is from "Citizenship in a Republic" given at the Sorbonne, Paris, France on April 23, 1910.

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Posted by Curtis_L on 01/04/2012 at 4:57 PM

For Curtis_L:

In response to your Teddy Roosevelt quote, I do you one better:

"He who passively accepts evil is as much involved in it as he who helps to perpetrate it. He who accepts evil without protesting against it is really cooperating with it."

Musical mediocrity is evil to some of us. Sing on Brother Gold.

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Posted by Heavy Brain on 01/04/2012 at 5:11 PM

Heavy Brain,
It’s been said, “There’s no accounting for taste” and “Beauty is in the eye of the beholder.” Music is a matter of taste and beauty. I never intended to insult Adam Gold’s dislike of SafetySuit’s new album. That is his, and your, right as a human being. My point is that Mr. Gold chose to insult rather than review. Mr. Gold berates the members of the band, and indirectly their fans, for not agreeing with what he feels is “good music”. As if everyone born before 1994 agrees with him. Your mediocrity is someone else’s perfection.

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Posted by Curtis_L on 01/04/2012 at 7:07 PM

I'm just saying, having been a music reviewer myself and "critic" for the village voice as well as Seattle post-intelligencer, I've had to do my fair share of reviews on albums and bands I definitely do not love or endorse- I've had to tear apart some of the poster children of mediocrity. I was a full time critic, and did what Mr. Gold aspires to do- blogs are, in a way, for pussies- zero accountability. This critique was so far from music journalism or anything beyond Gold's meager attempt at being "cool" (which we can all safely assume he is not). I've been in Nashville for 2 years and just happened across this review. I didn't defend the band because I'm not exactly a fan. I'm just partly disgusted, partly amused at how bad and unprofessional Gold's writing and....ahem....journalism is. Bad album or not- show some f##king tact man!

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Posted by Jon the Liberator on 01/05/2012 at 9:34 AM

Hahahaha can't take the heat gold get out the kitchen

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Posted by Jon the liberator on 01/05/2012 at 6:25 PM

What heat?

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Posted by Gold on 01/05/2012 at 7:46 PM

WOW...Dude.. Bitter much?...Drink more whiskey smoke more cigarettes..Spew more venom.. Thats bound to have more people like you, care about what you say and make you live longer.. Good Luck!

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Posted by MrMedia on 01/07/2012 at 3:59 PM

Gee, I guess I should go listen to some snoop dogs sexual eruption, and maybe perhaps find some other songs about banging a stripper or two, then doing five lines of cocaine off of some awful part of her body. But I should make sure that the song I should listen to instead of songs with positive lyrics would be a song that ends in a drive by shooting. That is much better. Safetysuit is a fantastic band, that isn't trying to market themselves as any "saving grace" to any listener. Who doesn't want a positive alternative to all the other garbage music out there?

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Posted by BigPhil on 01/12/2012 at 4:30 PM

This comment chain is littered with unbridled naivety. "ZoneRanger" is the king of em all. For your satisfaction, I will review Safetysuit's music for you...... hogwash - the same heartless shit that spoiled suburbanites have been regurgitating since the first time they heard Death Cab. This article is merely commentary on the fact that this completely unoriginal band came up with a completely unoriginal idea and are executing it in a completely unoriginal manner. And by ripping on the writer, you too are being completely unoriginal, which is probably why you listen to Safetysuit.

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Posted by Here's Jonny on 01/31/2012 at 1:49 PM

Jonny - thanks for calling me out! It's nice to be the king of something! I don't recall "ripping" the writer in my short response above. I perhaps was calling him out a bit. In that he could easily write the same rant against Kings Of Leon or Paramore or Taylor Swift, but doesn't have the "juevos" because their followings are too big. And that SafetySuit was a "safe" rant for him, for now. And so, for whatever reason, he took it. It does look rather silly when SafetySuit's album is the first album in 20 weeks to topple Adele's 21 on iTunes. But that's okay. He doesn't have to like the music. He took his shot and a year from now he won't be able to--SafetySuit will have become too popular, and he can focus on undermining another emerging band in Nashville, which apparently is the new role of The Scene, eh.

I'm typing this in my old stomping grounds in Seattle, where my musical "naivete" took me to see the popular Mother Love Bone in 1988. I saw Alice In Chains with maybe 25 people in the room. It was like a bad night at Mercy Lounge. But Layne was amazing. I certainly didn't see them hitting the big time though. When I first saw Pearl Jam with maybe 60 people in the room I felt that they could go all the way. Fortunately for the Seattle music scene, within a few years the marketing and promotion infrastructure got to the point where they could start breaking bands. I keep waiting for some type of impactful media in Nashville to emerge...based on this review, it may be a long wait.

When I moved to Nashville in 2005 I saw many of the same elements that I saw in Seattle in the late 1980s. Talent is everywhere, but the marketing and promotion for indie/rock/pop bands is non-existent. I am no music expert. But the first time I saw SafetySuit LIVE at 12th & Porter I knew they were going all the way. And there are many other bands/artists in Nashville that I am pulling for as well. As much as it pains me, I'm sure I have some on my list that are also on the author's list.

I'd rather the author use his "talents" in choosing those bands in Nashville that he feels are "original" and "worthy" and help break them. And not waste time on some personal grudge match against SafetySuit. You don't like their music. You don't like them. You don't like it that they are popular. I get it. But if he thinks their popularity is because Universal Motown and now Universal Republic have MADE them popular. Think again. SafetySuit has done it 90% on their own. One fan at a time. One radio station at a time. The old blue-collar way. Driving around the country in an old, used van and trailer. Not bad for a bunch of "spoiled suburbanites."

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Posted by ZoneRanger on 02/11/2012 at 4:16 AM

Hey ZoneRanger, Glad my comment buddy, Here's Jonny, got ya fired up and you spewed your guts out here. I was just glancing thru the page of comments (for fun and to bypass some boredom) and saw Seattle and had to read your post. Back when I was in the army, my first duty station was MAMC (Madigan Army Medical Center) in Tacoma Washington, adjacent to Ft. Lewis Washington (and about 60 miles from Seattle). I loved it there. I planned to finish up my 3 years there, get out of the army there and live the rest of my life in Seattle...my army job took me there as did some concerts (i. e., Neil Young). I spent 13 months living in Washington before being transferred to Germany. I never got back to Washington and I never stopped dreaming about getting back there. Life took me off on a lot of tangents and eventualluy landed me in TN. I didn't mind that though since I had dreams of moving to Nashville someday too. / I passed this article up and now I have to take the time to go back and read it and see what you all have been talking about here (got the drift; it's about new and great music). I just think it is pretty cool that some guy in Seattle is leaving comments here. Being a fan of Neil Young's is how I found out about Pearl Jam and have been a fan of theirs since 1992. The first year I was living in TN (2000), I saw Pearl Jam playing at the now defunct outdoor ampitheater outside of Nashville. PJ made a second apperance that I know of and that was at Bonnarroo (but the ordeal [orgy, as my Dad would call big ordeals] of going to that doesn't interest me anynore. I have made it to see Eddie Vedder and Neil Young play at the Ryman Auditorium in downtown Nashville in recent years. / I fell in love with Washington State and missed the hell of the place for a long time but could never get back there to live. The cost of living was high way back when I was living there in the early 1980's. People still complain of the high cost of living there so being here in the south can give your pocketbook a break. So living in TN ain't all bad until the summer months when the heat and humidity make you feel like you are living in hell...and every summer I still wish I was living in Seattle, Washington. At least folks are talking/bitching about the music and I am so glad since I have been searching for music satisfaction for a long time. It's great that Mr. Jack White brought his gang with him from Detroit and they planted themselves and their Third Man Records in the heart of Music City, USA. Diversity was seriously needed (found a quote a guy recently wrote: "they don't call it Country Music City, it's called Music City") . Most of the modern country music (it's supposed to be depressing music I guess...not used to that being a rocker since my teen years) was bringing me down and making me sick and forced me to search out the rockers in Nashville. Hey, I didn't land in Seattle but I'm happy now that I am hanging out in Nashville and discovering great talent that the execs on Music Row are ignoring. Just as well since these young rockers I am discovering are independent and smart and don't need Music Row execs ripping them off (stealing from their pocketbooks). It's a great time to bitch about what is going down in Music City, USA and at the same time see the revolution that's occurring amongst the rockers. Oh, by the way, our towns' famous rocker, Jack White, will be doing a show up in your beautiful Evergreen State this spring. Mr. White never disappoints when performing "live" around these parts , in my humble opinion, so I hope you can catch him performing "live" up your way in the great NorthWest! Nashville is growing a great crop of new music artists. It's a great time to be a witness and "Want A Revolution"!

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Posted by T. Time on 02/11/2012 at 4:26 PM

this entire article is a joke, just like this gold dude

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Posted by Nate on 04/21/2012 at 7:02 PM
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