by Rob Nelson
CANNES, France—The Cannes Film Festival is chieﬂy revered as a showcase for proliﬁc, careerist auteurs, so the appearance of Savage Grace, the ﬁrst feature in 15 years by New Queer Cinema co-instigator Tom Kalin (Swoon), was certainly striking—not that a ﬁlm in which Julianne Moore stars as a woman who’s fucked and then killed by her gay son would lack for distinguishing features anywhere.
“I like to joke that I’m Norma Desmond in my castle with my monkey, and this is my comeback ﬁlm,” says the eye-batting Kalin, 45, and clearly ready for his close- the ’90s were difﬁcult enough for a “gay man of a certain age,” that he’s “thrilled to have come out the other side, being able to make the ﬁlm that I wanted to make.”
Like Swoon’s gothic-romantic account of the Leopold and Loeb murders, Savage Grace’s fact-based tale of taboo sex and violent death seeks sympathy for those whom most ﬁlmmakers would consider undeserving of it. Moore plays Bakelite plastics queen Barbara Baekeland, a volatile class-climber who Redmayne).
“No one agreed,” says Kalin of the real Barbara’s acquaintances, though he could also be referring to viewers of Savage Grace, which boldly refuses to clarify its int lm in Cannes—Sicko withstanding.
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