From
an album whose singles intro’d pretty much every MTV and VH1 show, Bloc
Party have officially matured out of the vague-means-accessible
indie-dance-punk of
Silent Alarm and into a brilliant discussion of urban-kid confusion on
A Weekend in the City.
Kele Okereke bravely waves his schoolboy-crush flag in “I Still
Remember,” tackles weekend drudgery with “On,” and addresses racially
motivated violence in the heartbreaking “Where Is Home?” Dance beats
still litter the album, but impassioned and searing rock-oriented
guitar lines balance Okereke’s distinctive, plaintive vocals, while
backing harmonies and chanting elements play up the occasional
religious imagery (“Uniform”).
Weekend’s
first single, “The Prayer,” is the most driving song on the album. It
and “Song for Clay (Disappear Here)” still hold most of the Britpop
pretension that was evident on Silent Alarm, but on the whole,
Bloc Party seems to have parlayed some of their attitude into
mindfulness, composure, and an album that—despite its seemingly
depressive topics—holds within it an inkling of hope...provided
listeners pay attention.