Pack a life preserver, because Browns vocals are deep enough to drown you in neo-traditionalist twang. His sterling six-string skills have bought the groceries since he was a teen in the late 60s, but his recorded debut had to wait until 1993, when he released 12 Shades of Brown, highlighted by tone-setting opener, My Baby Dont Dance to Nothing but Ernest Tubb. It showcased Browns twin-necked guit-steel, which marries a lap steel and traditional guitar on one body, allowing him to produce waltzing country wail alongside a reverb-drenched Bakersfield bounce. Over the course of six studio albums, hes sampled blues, rockabilly and swing, though his polished baritone sounds most at home in old honky-tonk tunes lit with a bit of wit (e.g. Venom Wearing Denim)
Fri., Oct. 17, 9 p.m., 2008
Comments (0)