Harmonic Convergence 

Film fest and retro salute Korine’s influences

In conjunction with the run of Mister Lonely, the Belcourt is showing a retrospective of Harmony Korine’s first two films, Gummo and Julien Donkey-Boy along with a making-of documentary on his current film Mister Lonely.
In conjunction with the run of Mister Lonely, the Belcourt is showing a retrospective of Harmony Korine’s first two films, Gummo (May 22-23) and Julien Donkey-Boy (May 22 & 24) along with a making-of documentary on his current film (see below). In addition, the theater asked the Nashville-based writer, director and video artist to pick and (schedule permitting) introduce four of his favorite films over the next two weeks. The lineup:

THE LONELY (7 p.m. May 19) Throughout the shooting of Mister Lonely, Korine kept Nashville filmmaker Brent Stewart (Blackberry Winter) on set in the Scottish Highlands as official documentarian and EPK photographer. The result, making its Southeastern premiere at the Belcourt, is this hour-long documentary profiling the director and offering a glimpse into his unconventional working methods. “It was a very surreal place,” Stewart says of the set—where celebrity impersonators wandered the grounds of a remote castle, the sun didn’t set until 2 a.m., and cast and crew alike fought swarms of biting flies called midges. “Everyone was always waiting for Abe Lincoln’s beard to be applied.”

LAND OF SILENCE AND DARKNESS (7:30 p.m. May 21) Launching a month-long tribute to Werner Herzog, the theater screens the German director’s 1971 documentary about communication within an alternate universe: the world of the deaf and blind.

HUSBANDS (noon May 24-25) John Cassavetes’ raw, searching, deeply discomforting 1970 study of three middle-aged buddies (the director, Peter Falk and Ben Gazzara) who lay each other open during a grief-fueled bender after a friend’s death.

MAUVAIS SANG (7:30 p.m. May 27) Denis Lavant (Mister Lonely’s brutish Charlie Chaplin) pines for Juliette Binoche, chases the antidote to an AIDS-like virus and does cartwheels down a Parisian sidewalk to David Bowie’s “Modern Love” in this dazzling 1986 feature by writer-director Leos Carax (who has a cameo in Korine’s film as Diego Luna’s agent).

ALI: FEAR EATS THE SOUL (7:30 p.m. May 29) As an aging German charwoman who falls in love with a younger Moroccan mechanic, Brigitte Mira plays Jane Wyman to El Hedi ben Salem’s Rock Hudson in Rainer Werner Fassbinder’s 1974 variation on Douglas Sirk’s All That Heaven Allows.

See belcourt.org for more information.

Comments (0)

Subscribe to this thread:

Add a comment

Recent Comments

Sign Up! For the Scene's email newsletters






* required

Latest in Reviews

All contents © 1995-2013 City Press LLC, 210 12th Ave. S., Ste. 100, Nashville, TN 37203. (615) 244-7989.
All rights reserved. No part of this service may be reproduced in any form without the express written permission of City Press LLC,
except that an individual may download and/or forward articles via email to a reasonable number of recipients for personal, non-commercial purposes.
Powered by Foundation