Diamonds, No Rust 

A half-century into her performing career, Baez retains a dove’s voice and a hawk’s eye for material. Still the same peerless judge of talent she was when she came here to cut 1971’s double LP Blessed Are…, she swaps Kristofferson, Woody Guthrie, the Glimmer Twins and Robbie Robertson for Steve Earle, Elvis Costello, Tom Waits, Diana Jones and Patty Griffin on last year’s Earle-produced, Nashville-recorded CD The Day After Tomorrow. Backed by sympathetic Music City pickers, her voice no longer sounds like stainless steel: It’s lower and huskier, and better for it on lovely readings of the Waits title track and Costello and T-Bone Burnett’s gorgeous “The Scarlet Tide.” Go, and see if you can console her about the dashed hope of a McCain presidency.
Fri., Feb. 27, 8 p.m., 2009

Comments (0)

Subscribe to this thread:

Add a comment

Recent Comments

Sign Up! For the Scene's email newsletters






* required

Latest in Our Critics Picks

All contents © 1995-2012 City Press LLC, 210 12th Ave. S., Ste. 100, Nashville, TN 37203. (615) 244-7989.
All rights reserved. No part of this service may be reproduced in any form without the express written permission of City Press LLC,
except that an individual may download and/or forward articles via email to a reasonable number of recipients for personal, non-commercial purposes.
Powered by Foundation