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National Features >

  • Houston Press

    Hate to Say We Told You So

    A year before Toyota's massive recall, we published a lengthy investigation of problems with the Prius.

    By Paul Knight

  • Miami New Times

    Sex, Drugs, Gambling--and Football

    Heading to Miami for the Super Bowl? Don't leave the hotel without our guide to vice in the Magic City.

    By Michael J. Mooney and Gus Garcia-Roberts

  • City Pages

    Life in the Blue Zone

    Daredevil Dan Buettner's latest trick? Bringing the secrets of immortality to Minnesota.

    By Erin Carlyle

  • Phoenix New Times

    The Greatest Dane

    Bigger than Shaq and proud of it, the world's tallest dog may be living in Tucson.

    By James King

New on DVD: The Exiles

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By Jim Ridley

Published on November 25, 2009 at 3:40am

One of the archival discoveries of recent years, Kent MacKenzie’s little-seen 1961 feature about displaced American Indians wandering an electric noirscape in Los Angeles’ Bunker Hill neighborhood remains a marvel of vivid semi-doc location shooting and forcefully interwoven docudrama. Set to a live-wire score of raw, honking garage rock that Quentin Tarantino sampled for the Pulp Fiction soundtrack, it was shot with a cast of non-professional actors and retains a sense of life spilling in all directions. In its sterling 2-disc DVD edition, the movie’s savior, Milestone Films, loads it with pertinent and illuminating extras—the most invaluable being four short films by MacKenzie, including his neighborhood study “Bunker Hill 1956,” and clips from the movie that renewed interest in MacKenzie’s lost films, Thom Andersen’s dazzling cinematic essay Los Angeles Plays Itself. The only greater service Milestone could perform for viewers would be to issue Andersen’s entire film, the most forward-thinking work of film criticism produced this decade (and a testament to the necessity of fair usage). But for now, don’t miss The Exiles.
Nov. 30-Dec. 6, 2009