Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Recent Blog Posts

National Features >

  • Miami New Times

    Fidel Castro Needs a Hug

    It's not easy sharing a name with Miami's most hated despot.

    By Gus Garcia-Roberts

  • City Pages

    A Teabuggers' Odyssey

    A Minnesota boy's rise to power in America's right wing.

    By Andy Mannix

  • Riverfront Times

    Moon Lady

    Loved by everyone from Stereolab to Tony Kushner, the odd and enchanting Lucia Pamela was an outsider to remember.

    By Aimee Levitt

  • Phoenix New Times

    Dead to Rights

    Even in a Wild West state like Arizona, killing someone in self-defense is a complicated affair.

    By Ray Stern

Charley Pride at the Opry

In the Name of Love

Share

  • rss

By Timothy C. Davis

Published on June 11, 2009 at 3:41am

While he wasn't the first brother to pursue a career in country music—although he was one of the first to actually attain one—Charley Pride made his race a non-issue with a string of countrypolitan classics in the 1970s that included such hits as "Kiss an Angel Good Morning" and "Is Anybody Goin' to San Antone." While rumor has it that Pride—a former Negro Leagues baseball player—was "hidden" from public consumption for a few years until America fell in love with his voice (Barry White reportedly received the same treatment, thanks to his obesity), the singer soon thrived, becoming one of the biggest, most bankable stars in country, and garnering a Grand Ole Opry membership for his troubles. (Unfortunately, he's still the only African American so honored). What's more—unlike, say, Darius Rucker—he also brought black folks back to the music they helped start in the first place. Whatevs. He's still as smooth as song requires, and too cool by half. (Who else do you know besides DJ Quik that still rocks a half-Natural and a gold-record medallion?)
Sat., June 13, 7 & 9:30 p.m., 2009