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  • Riverfront Times

    The Pope of Pork

    Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.

    By Kristen Hinman

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

John Brown & Michael Krueger: Nuts and Gum

By Jack Silverman

Published on August 21, 2008 at 3:41am

John Brown creates countless tiny images drawn or stamped on paper, then cuts them out and pieces them together in a tightly bound mass. His work is like a collage version of obsessive scribbling, with tiny objects crowded together in an almost pointillist manner. Viewed from a distance, "Pandemonium" appears to be a large pie-like image—only on closer inspection can you see the jumble of human figures that make up the whole. Michael Krueger superimposes lithographic images over actual pages from his original high school yearbook, reflecting the unrest and paranoia of the post-Vietnam era, with visual references to heavy metal, decadence and nihilism.
Aug. 27-Oct. 3, 2008


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