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  • Riverfront Times

    The Pope of Pork

    Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.

    By Kristen Hinman

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    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

Cage the Elephant

By Chris Parker

Published on August 07, 2008 at 3:40am

The Brits have always had a thing for American roots music, and this young Bowling Green quintet are one of their latest fascinations—they've already scored a minor hit with their bluesy ramshackle ode to the grind "Ain't No Rest for the Wicked" off their self-titled debut for EMI/Virgin imprint Relentless. (Its still unreleased in the U.S.) Their shuffling, festive songs range in influences from reggae to blues-funk, blending Sublime, the Red Hot Chili Peppers and G. Love into a style most succinctly and successfully expressed by Gomez. If singer Matt Schultz (whose brother Brad plays guitar) hadn't re-injured his knee, they'd be in Scotland right now, but don't feel bad for them—in two weeks they play the legendary Reading & Leeds festival.
Fri., Aug. 8, 9 p.m., 2008


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