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Recent Articles
Recent Articles by Cody De Vos
Spur-of-the-moment trek down the Mississippi spawns a compelling photo study
Middle Tennessee's spook chasers ain't afraid of no ghost
A user-friendly guide to decorating cliches, from Marxist poster boys to pop-top paraphernalia
A year-by-year guide to your college social life
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National Features >
Riverfront Times
Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.
By Kristen Hinman
Broward-Palm Beach New Times
Here's how you become one of those people who screams at his kid's coach.
By Bob Norman
SF Weekly
Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.
By Lauren Smiley
Houston Press
First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.
By Randall Patterson
Better Off Dead
Paperboy's revenge
Published on July 31, 2008 at 3:40am
There are people who best remember John Cusack holding the boombox in Say Anything, and then there are those who prefer to remember him frantically fleeing a deranged paperboy in Better Off Dead. Let the Say Anything crowd treasure their moments of youthful sincerity, and leave the rest of us to space out in the back row with Cusack and his inventive stoner buddy in 1985âs outlandish cult classic, which takes all the tropes of high school moviesâthe jock pecking order, romantic turmoil, shitty jobs, out-of-touch parents and pregnancy scaresâand twists their ears until they squeal. What more can you say about a movie that milks its depressed heroâs repeated attempts at suicide for slapstick yuks, screeches to a halt for a claymation music video featuring a singing cheeseburger and features not one, but two ridiculous and triumphant race sequences for the downbeat protagonist? Itâs so absurd it actually feels more like teenage life than anything Cameron Crowe ever touched.
Fri., Aug. 1, 11:59 p.m.; Sat., Aug. 2, 11:59 p.m., 2008