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  • Riverfront Times

    The Pope of Pork

    Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.

    By Kristen Hinman

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

Better Off Dead

Paperboy's revenge

By Cody De Vos

Published on July 31, 2008 at 3:40am

There are people who best remember John Cusack holding the boombox in Say Anything, and then there are those who prefer to remember him frantically fleeing a deranged paperboy in Better Off Dead. Let the Say Anything crowd treasure their moments of youthful sincerity, and leave the rest of us to space out in the back row with Cusack and his inventive stoner buddy in 1985’s outlandish cult classic, which takes all the tropes of high school movies—the jock pecking order, romantic turmoil, shitty jobs, out-of-touch parents and pregnancy scares—and twists their ears until they squeal. What more can you say about a movie that milks its depressed hero’s repeated attempts at suicide for slapstick yuks, screeches to a halt for a claymation music video featuring a singing cheeseburger and features not one, but two ridiculous and triumphant race sequences for the downbeat protagonist? It’s so absurd it actually feels more like teenage life than anything Cameron Crowe ever touched.
Fri., Aug. 1, 11:59 p.m.; Sat., Aug. 2, 11:59 p.m., 2008


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