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National Features >
Broward-Palm Beach New Times
Fear of the Queer
Do black voters need to get over their homophobia?
By Bob Norman
Riverfront Times
Lip Service
The American Mustache Institute works to make facial hair hip again.
By Matt Kasper
Village Voice
Insane Asylum
Welcome to America, freedom fighters. Now go home.
By Elizabeth Dwoskin
Seattle Weekly
The Closer
How a Seattle man made a killing off the misery of local homeowners.
By Nina Shapiro
Nashville Starr
Continued from page 3
Published on July 03, 2008
Daniels considers Beaucoups of Blues an important record. “In retrospect, I don’t think it was the explosive album [Apple executives] wanted it to be,” he says. “I’m sure they wanted it to be a multimillion-seller. But it was not in the Beatles tradition, like what George and the other guys had done.” Instead, it was a full-frontal country album. And as such, Daniels says, it helped “legitimize country music in the rock world.”
Starr recalls it simply as a couple of days spent with good musicians working on good songs, singing away the blues. “Nashville was very good to me,” he says.
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