Recent Blog Posts
[Pith in the Wind] Thu Jan 8, 5:33 AM
[Pith in the Wind] Thu Jan 8, 5:33 AM
[Pith in the Wind] Thu Jan 8, 5:17 AM
[Pith in the Wind] Thu Jan 8, 5:10 AM
[Pith in the Wind] Thu Jan 8, 5:00 AM
[Nashville Cream] Wed Jan 7, 12:13 PM
[Nashville Cream] Wed Jan 7, 10:21 AM
[Bites] Thu Jan 8, 5:05 AM
[Bites] Wed Jan 7, 1:00 PM
No related articles found
National Features >
Broward-Palm Beach New Times
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
In life and death, tattoo artist Kauri Tiyme made her mark.
By Alan Prendergast
Village Voice
Amy Neustein never could resist going public with her family dramas.
By Elizabeth Dwoskin
Houston Press
A visit with the hurricane victims that a country forgot.
By John Nova Lomax
Back to the Future
Glasgow’s Frightened Rabbit release their sophomore record
Published on June 05, 2008
by Ryan Foley
Basic
human behavior dictates you walk backward for one of two reasons:
You’re either arguing with someone or acting like a dunderhead. In “My
Backwards Walk,” Frightened Rabbit vocalist Scott Hutchison is
squabbling, all right, over personal shortcomings and relationship
gaffes. Problem is, at any moment you expect the Glasgow native to
stumble backward over puerile countrymen The Yummy Fur.
Hutchison
strives to be a love/romance decoder on the level of Travis frontman
Fran Healy, but is undone by his own wink-wink/nudge-nudge phrasing.
“Keep Yourself Warm” is a gnomic look at those who fill the craving for
long-term companionship with carnal pleasures—until the lines regarding
“points of entry” and “finding love in a hole” arrive. Tempering
gravitas with humor is neat, but the best (hello, Morrissey) did it
with more subtlety and finesse.
Sonically,
tracks such as “I Feel Better” and “Fast Blood” are the Futureheads by
way of Gang of Four: guitars that are cleaned of effects, cold-blooded,
circular. Frightened Rabbit tack on bleating horns (“I Feel Better”),
lap steel guitar (“Good Arms vs. Bad Arms”) and jocular electronic
beats (“My Backwards Walk”), recognizing that an infinity of
monochromatic melodies would exhaust even the most persevering. The
Midnight Organ Fight has its moments, but ultimately it portrays a band
going forward in reverse.